A quick look back at 2016

Well that’s 2016 nearly done, and it’s been an interesting year although not as productive as I would have liked (I feel I say this every year?). First off, congrats to Win AKA the Paint Pusher for his second place entry in this years GBWC, and to Tim AKA Child of Mecha for placing 7th. Seeing these works in progress and following they’re time at the GBWC event was a fantastic rollercoaster. Congrats too, to everyone who entered and to Kasuke Yokota for that stunning winning piece that was an incredible testament to the hobby

Looking back over the past year, I think modelling wise I have made some improvements, I feel my detailing skill and air brushing is improving having tried a few more differing styles of light modulation, and new types of paint. I now understand why so many people love using Mr.Color lacquers. It seemed like the UK was never going to be able to get a supply of this stuff and the moment it was available, I stocked up without regret. The coverage, durability and boldness of colour is fantastic.

My favourite kit worked on this year is most certainly the RE/100 GP-04 Gerbera. I find the proportion and design very pleasing, as well as the solid construction and engineering. Painting and detail was a pleasure, and I would even consider getting another for an alternative colour scheme. My experience with the RE/100 line is limited to only 2 so far and both have been fantastic kits. I think I’ve been won over, but would still prefer MG’s, as all good fanboys probably should.

Painting wise, I really enjoyed the Typhoon Cerberus. Although it was a tad laborious, the final result was satisfyingly spiky and battle-ready, and it’s a model I still get much enjoyment from in the display cabinet. The Efreet too was great fun, whereas it’s not in my top 5 kit’s aesthetically, it holds a memory of a nice challenge among fellow YouTubers that I hope we can repeat in future.

I sometimes forget too that I went to Japan this year – it all seemed to go by so quick and it was such a pleasure to take one last look at the 1:1 Gundam in Odaiba. It’s sad it’s coming down next March, but it does get me kind of excited as to what is going to happen next with the 40th anniversary looming. A walking, moving Gundam perhaps? The mind boggles at the thought.

The relaunch of the Mecha Lounge was a nice addition this year, and where the membership is (as expected) slowing a little there remains the beginnings of a community all about the modelling. Hopefully 2017 will bring some new contests and build offs to really get those creatives in gear. I honestly did not expect it to do well at all, and quickly dry up in interaction but members are still logging in and posting, despite it’s seemingly archaic interface. Thank you to everyone who has joined up so far, you’re all the ones making it work.

GunplaTalk, now on it’s 20th episode has been a real pleasure to be a part of. I have met and chatted with some great chaps throughout the year and made some new friends. I look forward to doing more of these in 2017.

YouTubing has been admittedly slow. I think it’s down to the fact I feel like I am delivering more and more of the same content in the form of WIPs, where I am repeating the same processes over and over. I don’t want it to get too dull, but at the same time I want to start posting vids weekly again. If not, the facebook page will be hosting the odd live video feed now and then. We shall see how goes.

I’ll round this short ramble up with a thank you, to everyone in the community and all mecha modelling nerds out there. You’re a genuinely super community, with a gratifyingly low amount of dickery. Much love and respect to you all, have yourself a bloody Merry Christmas and a blooming marvellous New Year.

The value of work – Commissions & Models for sale

Whenever I have talked with others or had enquiries about commission work, or selling already completed works, it always seems that people massively undervalue the work required to build, modify and paint a kit. Whereas I can understand that if you are new to the hobby, or have never done any modelling then you are going to assume that the cost for a commission, or making an offer on an already completed and painted kit is going to be the cost of the kit + paint + a little time. This is in most instances however, the offer is nowhere near enough. The value is not in the kit and paint, it’s in the work itself.

I can understand too that, if you are into Gunpla or Mecha kits and enjoy building them, that you perhaps just don’t have the time to paint them, and want to ask someone else to do it to a standard level without all the bells and whistles to display in your collection. This is where you need to think – you will be seeing it as just a paint job – most modellers will be seeing it as exercising their art form.

What many people do not realise is that by buying a completed work or by asking for a commission, you are not only putting a value on someones time and material, you are also putting a value on the level of skill – which can take years to perfect.

Anyone can paint a kit. Yes. Anyone. You snap off the pieces, grab a brush, spray can or air brush and cover the plastic in paint. Not anyone however can do it do a degree that has fantastic visual impact. This takes experience, skill and dedication to an art form. This is why when some experienced modellers are offered virtually the cost of a kit in return for work, they’re quite rightly sometimes insulted.

So how much should you pay to commission a modeller for their work? This is of course down to each modeller so there is no way I could give you a right answer, but here’s a few tips to bear in mind when asking.

  1. How good is the modellers work? This one has a little subjectivity to it, and can vary depending on a modellers style, but it’s worth doing your research first. Look at previous works. Compare it to others. Do you want this modeller to work on your kit? Think about how much money you have set aside for this project. It’s unlikely a multi-award winning and internationally recognised modeller is going to work for very little money, but it’s worth asking.
  2. Does the modeller do commission work? This should be your very first question. Save time and ask this first.
  3. Where are they based? Remember that exchange rates and costs of living are very different around the world. You are best off looking for a modeller from the same region as you to not only save on shipping, but also not to end up paying far more than you should.
  4. Have a set budget? Make this clear right away. If you’re noticing no one is interested, it’s likely not enough.
  5. Be clear on what you want. If you want to rely on the modellers creativity, this is fine, just make it clear as to what elements you want. Have a kit in mind. Most of the time the person wanting a model kit painted has the kit, and will send it to the modeller to be worked on. If not, make sure you can get hold of one. Some kits can be tricky to find at a good price. Find examples of other work you liked. Communicate as much as possible.
  6. Make an agreement. Once you are happy with what the modeller is offering, summarise what you want and make an agreement with the modeller. Once work starts, major changes can jeopardise a whole project. Every modeller is different of course so perhaps ask (if you feel you might) if it’s ok to request small changes during progress. Remember too, paying any money up front will require a higher degree of trust. Don’t get scammed. Exchange emails, don’t do everything over messaging apps or Facebook. Get acquainted enough to ensure this modeller is the real deal.
  7. Don’t treat modellers like a company. Modellers are people, not companies. Be polite please, this is not a boardroom deal. You might expect that in any exchange of money for a service, this entitles you to being a customer with consumer rights. It does in a way, but does not entitle you do be an asshole to someone you’ve not given any money to. Most modellers are hobbyists, meaning they will be working on your model in their spare time. As most of the time there is no legal agreement for services rendered, keeping a good relationship will result in a win-win every time. You’ll get a great model, the modeller will get paid for their time, and hey, you might make a new friend.
  8. Let the modeller give you a timescale. You can always ask for a work to be completed in a certain amount of time and if so it should be made clear very early on, however every modellers life is different with varying levels of spare time available. Ask them how long they expect a project to be finished. They will of course know better.

Remember, a multi-million dollar Dali oil painting is not worth the 100 pesetas he paid for the canvas and oil paints.

How much should you offer to a modeller, for a kit already produced? Sometimes the modeller already has a price in mind and will communicate this, and other times they’ll ask for offers. What’s important to remember here is how good the work is, the history of the modeller, perhaps how well known or respected they are among other modellers and most of all, how much you like the work. Remember, a multi-million dollar Dali oil painting is not worth the 100 pesetas he paid for the canvas and oil paints. Give them an offer worthy of their art. I’m not saying offer a million dollars, just be realistic by factoring in craftmanship.

Of course, don’t let any of this put you off ever asking a modeller about commission work or to enquire about a kit on sale. Most of us are approachable, decent folks who enjoy the interaction. Just understand that sometimes it’s frustrating to have your time wasted, or your work devalued unintentionally, and hopefully this will make things a little clearer. As I’ve mentioned a few times, every modeller is different and may not even agree with what I’ve written, and it’s all based off experiences I’ve had and others who I have talked too. Receiving a request for a commission is a real honour and gives us good vibes, and getting a good price for our work is equally gratifying. I will always recommend however, if you don’t have the money for a commission or completed work, get yourself into painting and detailing. It’s not as expensive as you realise, and all it takes is time, dedication, education and interaction.

Anything to add? Did I miss something or got something wrong? Got some experiences of commissioning, or being commissioned to do work? Good stories? Bad? Do share!